Abstract

Abstract This chapter investigates concepts in African American expressive practices, highlighting their transition to modern-day Hip Hop. To express this continuum, it draws on a range of examples, including rap music, jazz dance continuums, locking, and breaking. Afro-diasporic lineages of Hip Hop’s pioneers are foregrounded to challenge dominant perspectives on the modern emergence of Hip Hop, shedding light on dancers, DJs, and emcees, as well as on particular dance terms. Finally, Eurocentric hierarchical values that compromise Hip Hop’s cultural aesthetics and identity are brought to light. This analysis discusses the social dance foundations and their sociocultural context to encourage students who analyze and embody Hip Hop and its related culture to progress in their understandings. The chapter concludes with a social dance addendum.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.