Abstract

This article uses Lacanian psychoanalysis to look past the enormous contextual differences between the politically-motivated mass murders and consequent genocide of the Maya in Guatemala during the Civil War, and the frontier massacres in Australia during colonisation, to locate important commonalities. In Horacio Castellanos Moya’s 2004 novel Senselessness, it identifies a libidinal investment in a Maya and Latin American Other as the site of the excessive enjoyment that Lacan calls jouissance: a projection responsible for love, hate and all varieties of discrimination. It identifies a similar investment in an Aboriginal Other in Mark McKenna’s 2002 nonfiction book Looking for Blackfellas’ Point. Castellanos Moya creates a narrator whose intense libidinal investment in the Maya Other’s suffering reveals not only the limits of reconciliation in Guatemala, but also how libidinal investments in Latin America as a site of literary jouissance trap the region between magic and violence. McKenna unearths a local narrative of denial in which Aboriginal Australians are cast as villains; this points to an ambivalent national narrative where Aboriginal Australians are either victims or victimisers, but always exceptional. What connects Guatemala, Australia and the world is a collective responsibility for the production of Others – of and for whom violence is expected.

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