Abstract
Confucian culture and thought are among the core intellectual elements produced and formed through Han pictorial carvings, and an intrinsic factor informing artistic expression as well as aesthetic connotations and characteristics in this period. Only through systematic observation and study can we truly understand and appreciate the artistic essence contained within the images in Han pictorial carvings, and thereby lift our gaze upward to consider the artistic principles and aesthetic ideology of Han portraiture. The author begins by examining Confucian culture and thought as embodied in Han pictorial carvings, analyzing its themes, subjects, and artistic expression, so as to reflect on its cultural vision, as well as its aesthetic height and orientation.
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