Abstract
ABSTRACTThis short article explores the suggestive and complicated genre of ‘war porn’ as first described by Jean Baudrillard in his now-famous essay from Libération. I attempt to situate the genre within the context of South Asia, and specifically of India, to undergird a conversation regarding nationalism and the ways by which violence – its production, mediation, circulation, and subsequent consumption – becomes promulgated, particularly when we consider the violation of others. How does understanding its mediation become central to an understanding of how this violence becomes enacted and how does a discussion about ‘war porn’ facilitate a better comprehension of such conceptual frameworks as nationalism, religious fundamentalism, historical memory, and the problematic construction of the figure of the other – these are some of the queries that will be examined here. Furthermore, I also explore how the virtual mediation of violence participates in the ongoing perpetuation of the violation of others as much as the very real acts of violence themselves.
Published Version
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