Abstract

The end of the Raj and the British Empire had multiple consequences on Indian history, geography and society. While India was joyfully declared an independent nation, its partition caused innumerable violent episodes, the exodus of religious groups, Hindu-Muslim riots and conflicts with its new-born neighbour Pakistan. In such a tumultuous scenario, Gandhi’s proclaimed message of ahimsa (non-violence) opposed the will of Muhammad Ali Jinnah, the founder of Pakistan, and the, until then, Viceroy Lord Louis Mountbatten who managed British Government policy. Pour l’amour de l’Inde (1993) by Catherine Clement, and Indian Summer. The Secret History of the End of an Empire (2007) by Alex von Tunzelmann both explore the last days of colonized India in detail and with a sharp eye on the events and personalities that shaped this new India. The literary reconstruction of historic events gives a new insight into the decisions which led to Indian independence and division. In both novels, the body plays an important role. With physical and metaphorical references, from the maternal body of India being tainted, to Gandhi’s fasts and refusal of medication, the body is charged with political and symbolic meanings.

Highlights

  • The end of the Raj and the British Empire had multiple consequences on Indian history, geography and society

  • The work of Rituparna Roy, South Asian Partition Fiction in English from Khushwant Singh to Amitav Ghosh (2010) attempts to analyse narratives concerning Partition in Indian fiction from the mid- 1950s to the late 1980s: Train to Pakistan (1956) by Khushwant Sigh, A Bend in the Ganges (1964) by Manohar Malgonkar, Ice-Candy Man (1989) by Bapsi Sidhwa, Clear Light of Day (1980) by Anita Desai, Midnight’s Children (1980) by Salman Rushdie, and The Shadow Lines (1988) by Amitav Ghosh. To offer another point of view, in this paper a literary analysis is presented on the historical events of Indian independence and its partition as narrated by two European women authors in their novels Pour l’amour de l’Inde (1993) by Catherine Clément and Indian Summer: The Secret History of the End of an Empire (2007) by Alex von Tunzelmann

  • I will consider the relation of violence and body in male figures, mainly in the three main characters in the plot of both novels: Lord Louis Mountbatten, Jawaharlal Nehru and Mahatma Gandhi

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Summary

Introduction

The end of the Raj and the British Empire had multiple consequences on Indian history, geography and society. RESUMEN Conflictos durante la planificación de la independencia de la India y su partición en Pour l’amour de l’Inde de Catherine Clément e Indian Summer de Alex von Tunzelmann.

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