Abstract
The work begins with a brief prologue in which I try to explain the main causes of the introduction of the greec comedy in Rome. Then, I contrast the most opposite dramatic personality aspects in the works of Plauto and Terence. The article is a comparative development of the most opposite points that can be noticed in the theater of both authors. This study is nor only an original personal investigation, neither a discovery of new aspects of the matter. The originality of this work remains on the comparative exposition of the subject by using a contrastive method, which can be very useful for the study of the differences that I tried to underline.
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