Conclusions

Abstract

This book began by stating that histories of religious architecture can be accounts of both buildings and people. This particular history, focused on the archaeological evidence for the development of cult buildings in early central Italy, has reconsidered traditional narratives about the form and function of Etrusco-Italic religious architecture and proposed an alternative reconstruction of how their architects and audiences may have interacted with one another in Rome, Latium, and Etruria between the ninth and the sixth centuries BC. Comparison with the construction of monumental temples elsewhere also indicated that settlements including Rome, Satricum, Pyrgi, and Tarquinia can perhaps be considered part of a network of Archaic Mediterranean settlements with material, commercial, and religious connections, and that monumental architecture may have been a mechanism for successful social interaction. This study has therefore supported the suggestion that the physical and social fabric of ancient communities were closely linked, and that regional studies of Latium and Etruria may furthermore benefit from being set in Italic and Mediterranean contexts. This concluding chapter briefly recapitulates the arguments made in the main body of the book and the significance of each of those arguments for studies of ancient architecture and society. It also assesses how these findings relate to broader debates about Archaic Italy. Finally, it acknowledges the limitations of this analysis and highlights opportunities for future research. Part I of this book demonstrated that ancient religious architecture was a protean phenomenon. Three chapters analysed the ambiguous evidence for Iron Age sacred huts, the range of different buildings types associated with ritual activities in the seventh century BC, and the emergence of a separate architectural language for religious buildings during the Archaic period. Detailed analyses of foundations and roofs revealed that as changes in technology and society led to the widespread use of more permanent building materials, the physical fabric of central Italic settlements was also increasingly marked by the use of particular architectural forms and decorations to differentiate cult buildings from other structures, setting them apart in a form of architectural consecration.