Conclusion

Abstract

This concluding chapter argues that Brazilian women's film practice retains an impulse to use moving images as a way to denounce social inequality and fight for justice. Indeed, throughout the 1990s and in recent years, one finds an increasingly intersectional approach whereby gender, and female sexuality have been studied in conjunction with age, class, race, ethnicity, and other markers of power and social exclusion. Moreover, the sociopolitical issues raised by women directors from the past find echo in current debates surrounding Brazilian women's filmmaking. As the area of Brazilian women's filmmaking receives increasing attention from academics, analysis of women's filmmaking in Brazil needs to further examine funding strategies women employ to make their films while also expanding its focus to include other arenas in film production, distribution, and exhibition in which women have been involved.