Abstract
With the digital technological innovations and explosion of new media productions, film is no longer the only primary mode of audiovisual storytelling. A filmmaker is traditionally defined as someone who makes feature films both fiction and/or nonfiction. Today, anybody who is capable of producing moving images with sound could be regarded as a filmmaker, considering that the history of early cinema features short productions in length similar to what we currently see across multiplatform production and consumption. Early cinema productions are not the refined works that we have come to associate with today's films. The question is whether those capable of producing moving images with sound want to make it a profession or remain as amateurs. It is, however, true that cinema has its own language and that is the reason why we can understand cinema in any language. The extent to which the cinematic language is mastered is the key factor in addressing the fast-dissolving boundaries between film and new media productions.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
