Concertoes of L. Beethoven as repertory peg of the programs in pianists of Odessa

Abstract

The Purpose of the article is an underlining сhant base of essential sides themes andconcepts as a whole L. Beethoven works, including early, undervalued on ideological reason inspecialized literature, but always broadly claimed in practical person music concerto, includingsuch prominent actor as S.Richter, well-mannered and formed by achievements art South Palimiry.Scientific novelty of the study is determined by theoretical independence of the vision in Josephineclassicism to essence of the Viennese school, as well as for the first time in Ukrainian musicologyare analyzed in accepted foreshortening in Beethoven chant style First and the Second pianoconcertos prominent Viennese classics and is determined high artistic value their over-individuallyrical forming expressions. Conclusions. The First and Second piano concertos of Beethovendemonstrate the common signs of the Viennese classicism as direct projection Josephine classicismin instrumental art, under that First concerto concentrates specifically for creative activityBeethoven as a whole line of themes in chant style, аpоgее which becomes the play-off-cantata toNinth symphony. Attention to this early works of Beethoven escalated post in contemporaneitypostmodernism mistrust to rationalist dialоgic-dialectics theatrical, dramatic art and uniting to thelyricism of the spiritual music, a renaissance which evident image notes the repertoire of theartistic appearances preference. Bequeathing S.Richter confidence to chant themes in earlycomposition, the bright discovery of specifics which is First and the Second piano concertos,inspires the performers of the Odessa by involvement to church-spiritual headwaters of this music,which occupies a traditionally high position in repertory choice musician Odessa. After all in thecenter of the cultural property, there is the choral tradition of "church" K.Pigrov, but the vocalopening is provided genius of M.Glinka, an operatic creative activity which inseparable fromsearching for deep headwaters to the orthodox tradition of the singing.Key words: a genre of the piano concerto, style in music, piano style, style of the culture ofthe Odessa, piano style in plays a musician of the Odessa