Abstract
The acoustical reputations of many concert halls provide a curious study of human nature as illuminating as their acoustical attributes. This paper reveals how the reputations of 7 prominent halls that opened between 1880 and 1973 have morphed and offers conjecture as to the reasons. Discussed briefly, are Troy Music Hall (1875), Carnegie Hall (1891), Boston Symphony Hall (1900), Philharmonic Hall (1962), and Phoenix Symphony Hall (1973) among others. Each has undergone renovations and met with varying public reaction.
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