Conceptions of Divinity: Statue Making in Contemporary Taiwan and the Ritual of Embedding the Spirit (Rushen)

Abstract

This article examines a ritual called the rushen (“Embedding the Spirit”) as it takes place in Taiwan. The second in a traditional series of three consecration rituals, the rushen involves the transformation of varied materials and their subsequent assemblage inside of a nascent deity statue. How do statue carvers, ritual specialists, and patrons express what the ritual achieves? This article argues that the rushen aims to purify, potentiate, and protect the interior space of a young statue. To this end, the ritual achieves the conception of a spirit embryo (shentai) inside the statue’s body. The concurrent assemblage of consecrated materials thereupon works to nourish and protect this incubating divine presence as it continues to grow in subsequent weeks. From the moment of the rushen, the spirit embryo, like a newly planted seed, gestates under the statue’s surface, protecting the image from malevolent spirits and engendering it with divine capabilities. Hidden beneath the surface, the spirit embryo awaits the kaiguang, the final ritual of animation, the moment when the statue will come to life as a spirit image, like a seedling sprouting up through the soil, like an infant emerging from the womb.