Abstract

Expectancy for an upcoming musical chord, harmonic expectancy, is supposedly based on automatic activation of tonal knowledge. Since previous studies implicitly relied on interpretations based on Western music theory, the underlying computational processes involved in harmonic expectancy and how it relates to tonality need further clarification. In particular, short chord sequences which cannot lead to unique keys are difficult to interpret in music theory. In this study, we examined effects of preceding chords on harmonic expectancy from a computational perspective, using stochastic modeling. We conducted a behavioral experiment, in which participants listened to short chord sequences and evaluated the subjective relatedness of the last chord to the preceding ones. Based on these judgments, we built stochastic models of the computational process underlying harmonic expectancy. Following this, we compared the explanatory power of the models. Our results imply that, even when listening to short chord sequences, internally constructed and updated tonal assumptions determine the expectancy of the upcoming chord.

Highlights

  • When one listens to music, expectancy for a following musical event is formed internally based on the preceding context [1,2,3]

  • To investigate the mechanism underlying harmonic expectancy, we conducted a behavioral experiment in which participants rated the subjective Degree of Relatedness (DOR) of chord progressions

  • The balance of states is updated sequentially, based on the likelihood of the observation. This process may correspond to what Western music theory describes: When a chord sequence is listened to, tonality is constructed dynamically, and it dominates the harmonic expectancy for the subsequent chord

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Summary

Introduction

When one listens to music, expectancy for a following musical event is formed internally based on the preceding context [1,2,3]. With regard to expectancy for an upcoming chord in a chord progression, i.e., harmonic expectancy, many studies have attempted to explain the influence of preceding musical events [6,7,8,9,10,11,12,13,14,15,16]. These studies suggested two main effects on harmonic expectancy: the local context effect and the global context effect [8]. The local context effect is formed internally through musical experience [9], PLOS ONE | DOI:10.1371/journal.pone.0151374 March 22, 2016

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