Abstract
Este ARTÍCULO DE INVESTIGACIÓN presenta los resultados de la aplicación de una metodología de análisis complementaria para la correcta identificación de fibras liberianas, específicamente lino y cáñamo, usadas en los soportes textiles de las pinturas de caballete. La investigación se centra en seis cuadros firmados por autores representativos de la reconocida plástica novohispana en un rango temporal amplio: último tercio del siglo XVI-final del siglo XVII. Con esta revisión discutimos las continuidades detectadas en el proceso de selección intencional de las telas para la pintura virreinal de la Nueva España. ____________ This RESEARCH ARTICLE presents the results from the application of a complementary analysis methodology for the accurate identification of Liberian fibers, specifically linen and hemp, used in the textile supports of easel paintings. The research focuses on six paintings attributed to various representative authors of New Spanish recognized plastic arts over a wide-ranging time frame spanning from the last third of the XVI century —until the end of the XVII century. During this paper we discuss the continuance detected in the process of intentional selection of canvases used for viceregal paintings in Colonial Mexico.
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