Abstract
The subject of the article was to identify some similarities between the creative concepts of two filmmakers: our great compatriot Andrey Tarkovsky and contemporary director Carlos Reygadas. Their comparison, as well as the culturological analysis of Reygadas’ films, allows us to conclude that there is a conceptual closeness that largely determines the philosophy of the work of both masters, based not on the principle of recreating reality, but on the desire to create their own artistic word.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Paper Title
Journal
Date
