“Complicating images of the modern Chinese woman, from only child to ‘leftover woman’”

Abstract

ABSTRACT Two recent documentaries, Nanfu Wang and Jialing Zhang’s One Child Nation (2019) and Shosh Shlam and Hilla Medalia’s Leftover Women (2019), investigate the legacy of China’s one-child policy and its social impacts on marriage, career and motherhood in the present day. In the films, seemingly progressive young women subjects are depicted against a backdrop of culturally backward and brainwashed individual community members, representing Chinese culture at large, which results in a confusing narrative replete with logical gaps and unanswered questions. This article brings together qualitative data collected from interviews with “leftover women” with film analysis and scholarship on transnational feminism to argue for the importance of critical modes of representation and cautions against the tendency to blame culture.