Abstract
Complex structures of the virtual in the formation of an associative-figurative plan of a musical work
Highlights
In recent decades, musicology has demonstrated a steady interest in the grammar of the musical language, in the structural-logical side of the musical form, and in the associative-figurative plan of music
The other virtual formations arise: 1) performer’s mental, audial and motor ideas about a musical work; 2) listener’s perceptions – the modes of psychosomatic activity and figurative associations that arise on their basis; 3) denotations – semantics, fixed to one or another tonalities, to intonation formulas, to rhetorical figures etc.; 4) connotations, the area of subtext, often generating by contexts, in which the text is appeared, functioned and apperceived, taking into account the recipient’s thesaurus
Another else part of the sphere of virtual cognitive is the complex structures of the virtual, which act as a factor of the formation of an associative-figurative plan of a musical work
Summary
Musicology has demonstrated a steady interest in the grammar of the musical language, in the structural-logical side of the musical form, and in the associative-figurative plan of music. The other virtual formations arise: 1) performer’s mental, audial and motor ideas about a musical work; 2) listener’s perceptions – the modes of psychosomatic activity and figurative associations that arise on their basis; 3) denotations – semantics, fixed to one or another tonalities, to intonation formulas, to rhetorical figures etc.; 4) connotations, the area of subtext, often generating by contexts, in which the text is appeared, functioned and apperceived, taking into account the recipient’s thesaurus. Віртуальні структури класифікуємо також відповідно до трьох рівнів організації музичної форми: фактурного, синтаксичного, композиційного
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