Abstract
ABSTRACT: The Bible describes the education of only one woman, Susanna; she shows her learning by deftly paraphrasing King David when he, too, faced a life-threatening dilemma. Her history attests that biblical psalms and laws written in the masculine generic were in fact received generically, for they are applied to her. Moreover, she was the first woman Christians interpreted as a type of Christ, from the Synoptic Gospels on. Yet each of these traits is muted or absent from her history in the New America Bible. Surprisingly, misogynistic innovations from Renaissance art appear in this translation. Its methodology is therefore critiqued.
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