Comparisons of acoustic structures between sexes in a duetting, montane bird

Abstract

Female song in birds is more widespread than previously thought, and studies across different species are critical for better understanding the entire evolutionary process of bird song. In this study, we recorded the songs of males and females in a duetting, montane bird species, the Elliot's laughingthrush Trochalopteron elliotii, across consecutive breeding seasons. We specifically focused on identifying the number and structure of different song types by males and females, and compared these acoustic structures between the sexes. Our findings revealed that both males and females sang sex‐specific solos. More specifically, females sang a single type of solo that varied significantly in the number of notes, whereas males produced three different solos composed of 2, 3, or 4 notes, respectively. Female solos exhibited significantly more notes and longer song duration compared to males. Male solos typically had a significantly higher maximum frequency for the entire song. No significant differences were observed in the duration of the first note, song rate, and other frequency characteristics between male and female solos. Furthermore, paired males and females coordinated their sex‐specific solos to form duets when challenged by conspecific territory intruders, both within and outside the breeding season. Sex‐specific solos suggested that male and female songs play different roles and may be subject to different selective pressures. Further research is necessary for elucidating the functions of male song, female song, and duets in this montane bird species.