Abstract

Visual scenes are too complex for one to immediately perceive all their details. As suggested by Gestalt psychologists, grouping similar scene elements and perceiving their summary statistics provides one shortcut for evaluating scene gist. Perceiving ensemble statistics overcomes processing, attention, and memory limits, facilitating higher-order scene understanding. Ensemble perception spans simple/complex dimensions (circle size, face emotion), including various statistics (mean, range), and inherently spans space and/or time, when sets are presented scattered across the visual scene, and/or sequentially in rapid series. Furthermore, ensemble perception occurs explicitly, when observers are asked to judge set mean, and also automatically/implicitly, when observers are engaged in an orthogonal task. We now study relationships among these ensemble-perception phenomena, testing explicit and implicit ensemble perception; for sets varying in circle size, line orientation, or disc brightness; and with spatial, temporal or spatio-temporal presentation. Following ensemble set presentation, observers were asked if a test image, or which of two test images, had been present in the set. Confirming previous results, responses reflected implicit mean perception, depending on test image distance from the mean, and on its being within or outside ensemble range. Subsequent experiments asked the same observers to explicitly judge whether test images were larger, more clockwise, or brighter than the set mean, or which of two test images was closer to the mean. Comparing implicit and explicit mean perception, we find that explicit ensemble averaging is more precise than implicit mean perception—for each ensemble variable and presentation mode. Implications are discussed regarding possible separate mechanisms for explicit versus implicit ensemble perception.

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