Abstract

This paper examines the imperialfeng封 andshan禪 ritual at Mount Tai in 1008 and its connection with popular pilgrimages among the Mount Tai cult. It aims to demonstrate how ritual can be used as a tool of the imperial state in communicating its political and cultural agenda.Placing the imperial pilgrimage within its historical context at the turn of the eleventh century, it can be understood as an effort to secure mass identification with the state and its authority. More importantly, it could be used to establish ownership of Chinese civilization by the Song dynasty (960-1279) in its competition with the Khitan, who had long adopted Chinese institutions and ideology. Various strategies were deployed by the throne to communicate the imperial symbolism of the mountain. The mountain, therefore, had become valuable symbolic capital. Through the composition of temple inscriptions, the literati were able to redefine the popular ritual practices of the Mount Tai cult and brought them into a hegemonic discourse on the mountain. This facilitated the construction of an imperial cultural identity accessible to all social groups and allowed an abstract concept of Chinese culture to be communicated through the fabric of society.

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