Abstract

Common Spaces is an interface for real-time media convergence and live performance combining media, applications and devices. A multimodal media ecosystem was designed to respond to the requirement of a specific performance — how to mix multiple applications into a single environment. This collaborative environment provides a flexible interface for performers to negotiate, share, and mix media, applications, and devices. Common Spaces is a framework based on interoperability and data flow, a network of virtual wires connecting applications that “talk” to each other sharing resources through technologies such as OSC or Syphon. With this approach, media designers have the freedom to choose a set of applications and devices that best suit their needs and are not restricted to a unique environment. We have implemented and performed with this ecosystem in live events, demonstrating its feasibility. In our paper we describe the project's concept and methodology. In the proposed performance we will use the Digital Archive of Portuguese Experimental Literature (www.po-ex.net) as a framework, appropriating its database assets, remixing its contents, as well as the techniques and methods they imply, stimulating the understanding of the archive as variable and adaptable. These digital re-readings and re-codings of experimental poems further highlight the importance of the materialities of experimental writing, integrating self-awareness in the modes of exchanges between literature, music, animation, performance, and technology.

Highlights

  • This paper presents a framework designed for “transposing” spatial poetry into a multimodal media live performance

  • Common Spaces was developed for an artistic performance articulating spatial poetry with the performative aspects of digital media

  • We have developed a real-time work-flow environment based on the typical off-line media production where the resulting media from one application is used as the resource asset on a different one

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Summary

Introduction

This paper presents a framework designed for “transposing” spatial poetry into a multimodal media live performance. Our first concern was how to transpose spatial poetry into a multi-dimensional digital environment interrelating the performative, the visual, and the sound spaces in an expressive manner. To materialize this concept we have designed a media ecosystem providing a common ground for collaborative work supporting distinct creative applications.

Results
Conclusion

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