Abstract

This study deals with the use (and misuse) of music in modern Greek public transport, particularly in the long-distance buses, commonly known as KTEL (from their acronym). In short, Greek drivers seem to impose their own repertoire, often loudly, through speakers on passengers, who are not able (or willing) to react efficiently. This happens despite official restrictions by the Ministry of Transport on the public use of music both for drivers and passengers. This phenomenon, allied with other incidents of inappropriate treatment of passengers, has been seen by the latter as a display of power or a sign of indifference. It is also connected with other (occasional) violations by some drivers, such as smoking and talking on mobile phone (both prohibited by the law). Furthermore, the use of music is placed in the broader context of musical entertainment in modern-Greek daily life. This is probably the first such study in Greek bibliography, and among the few in international bibliography, where the issue has recently been taken up. Although I was not allowed to take formal interviews, I managed to talk to several passengers (and to a lesser extent to drivers) and keep detailed notes on the spot. Therefore, my study may be said to employ the methods of empirical investigation and participant observation in a loose sense, since I have been a regular passenger for several years.

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