Abstract
This article looks at the “coming out” category in a broad political sense as the work of making the particular subject positions of LGBT minorities legible to those subjects themselves and to the public at large. Coming out thus understood includes, but is not limited to, the rhetorical act of announcing one’s sexual identity; it likewise includes aesthetic representations such as memoirs and films. This broad definition of coming out, based on Jacques Rancière’s political philosophy, enables a comparison between the political‑cum‑aesthetic work of sexual minorities in the US, especially after the Stonewall Inn riots and up to the AIDS epidemic and its aftermath, and some developments in post‑1989 Poland.
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