Abstract
Coming Home Again begins with an image found again and again in American drama: the image of a man with a bottle. This study explores this convention and its dramatic functions, conventions of male prodigality in American domestic drama, and the role of the grace figure.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
