Abstract
This paper is an in-depth analysis of the Chinese movie Coming Home (2014), which mimics the way trauma works and brings the problem of memory into focus. I draw on a psychoanalytic perspective to interpret the storyline, characters, and metaphoric meaning embedded in the construction of the film. My analysis focuses on three symptoms displayed: forgetting, repetition, and historical void. As the most successful Cultural Revolution-related film in the Chinese-speaking world, Coming Home confronts the phenomenon of cultural amnesia and visualizes the subjective experience of struggling to remember.
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