Abstract

This article argues that comic moments and comic characterisation are used in Tobit as a means of satirically exposing a type of Yahwism characterised by inward-looking piety, religious and ethnic endogamy, and simplistic notions of retribution. Comic moments and comic characterisation, are therefore important ethical devices in Tobit used to expose the problematic nature of an obsessive emphasis on religious boundary maintenance as demonstrated by the extreme version of endogamy that Tobit endorses. The article argues that the theme of “insults” in Tobit, and the distinction between public and private behaviour serves to destabilise the main character’s hyper-religiosity. The article suggests that Tobit’s restrictive form of Yahwism and his overzealous Yahwistic piety are exposed and undermined in Tobit to illustrate for audiences that the deity Yhwh does not operate within a mechanistic moral calculus. The article pays close attention to the significance of the language and translations of Tobit when making this case.

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