Abstract
Irish artist Anne Madden recalls her and her painter husband Louis le Brocquy’s eleven years of friendship with Samuel Beckett at the end of his life. She recollects their many conversations and Le Brocquy’s painted images of the writer, his illustrations for Beckett’s last piece of fiction, and the costumes and set he conceived and painted for a production of Waiting for Godot at Dublin’s Gate Theatre.
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