Abstract
Subjective colour preference, naturalness and vividness assessments of two different colourful still life arrangements viewed in a real room were analysed and modelled with the aid of the Rf colour fidelity metric combined with a chroma difference metric. Coloured objects were illuminated by a four-channel LED light engine with 36 different spectra at four correlated colour temperatures and nine object oversaturation levels. Results imply a significant dependence of the subjective judgments on correlated colour temperature.
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