Abstract
Gianni Colosimo is the founder and sole member of the Teatro Ludico Libidinale (Ludicrous Libidinal Theatre). His performance, the title of which means “Freud, My Friend,” announces a personal poetics in autoperformance. Colosimo does individually what others in the so-called Post Avant-Garde (T77) do collectively; that is, he plays with “symptoms” of his own pathology and puts them together in a sort of “kinetic” analysis. He tries to materialize the process of “forming” his unconscious, according to Freudian schemes of assimilation. Colosimo identifies himself with the Oedipus character, but the onstage “analysis” is more a cruel ceremony (as in Artaud) than the kind of analytical cruelty that has come to be identified with the Post Avant-Garde and Body artists. The myth is, for him, more important than the materials.
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