Abstract
Kandinsky proposed a correspondence theory that suggests associations between specific colors and shapes (i.e., circle-blue, square-red, triangle-yellow). Makin and Wuerger tested the theory using the Implicit Association Test (IAT) and did not find clear evidence for Kandinsky’s color-shape associations among British participants. In the present study, we first replicated the previous study among Japanese participants and found similar results to those of Makin and Wuerger, showing little support for Kandinsky’s theory. In the subsequent experiment, we tested another set of color-shape associations that had been revealed by using an explicit matching method (circle-red, square-blue, triangle-yellow) in Japanese participants. The IAT tests showed that response times were significantly faster when circle-red, square-blue, and triangle-yellow combinations were mapped onto the same response key, rather than different key combinations, indicating that these color-shape combinations were encoded. These results provide the first empirical evidence that color-shape associations can be measured by indirect behavioral methods, and in particular, Japanese people’s color-shape associations (circle-red, square-blue, triangle-yellow) can be observed by both direct and indirect experimental methods.
Highlights
Kandinsky, a renowned abstract painter, proposed a correspondence theory suggesting an association between primary colors and shapes, according to which a circle is matched with the color blue, a square is matched with the color red, and a triangle is matched with the color yellow
The present study aimed to examine whether two forms of color-shape associations reported in direct matching tasks in the previous studies could be observed by an indirect behavioral method: one referred Kandinsky’s correspondence theory [11] and the other referred to Japanese color-shape association [6]
The results of Experiment 1 showed little evidence for Kandinsky’s color-shape associations, which was consistent with the results that Makin and Wuerger [11] obtained with British participants
Summary
A renowned abstract painter, proposed a correspondence theory suggesting an association between primary colors and shapes, according to which a circle is matched with the color blue, a square is matched with the color red, and a triangle is matched with the color yellow. He argued that the correspondence between colors and shapes was mediated by an inherent relationship between the colors and angles of the shapes [1,2].
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