Abstract

True-color holograms, as they are the most advanced and realistic three-dimensional images obtainable with current technologies, can become valuable tools for the preservation, documentation and diffusion of cultural heritage. In this respect, the transportable Z3RGB color holography system and the HoLoFoSTM illuminant developed by the Hellenic Institute of Holography have been successfully utilized for the in-situ recording and displaying of OptoClonesTM (Denisyuk-type color holograms) in four museums and two countries. The holographic image of an OptoCloneTM is characterized by a wide angle of view, full parallax and perspective, good color rendition and ultra-realistic reproduction of the optical properties of the materials of an artefact. In this paper, we report on our accumulated expertise in on-site holographic documentation of museum artworks of various types, already from four museums of world caliber and reputation (Athens and Thessaloniki Byzantine, Fabergé Museum of St. Petersburg and Diamond Fund of Russia). In one case, a world’s first, the in-situ recorded OptoClonesTM have been subsequently displayed as part of the permanent exhibition of the Byzantine & Christian Museum of Athens in replacement of the original artifacts while on loan. On another occasion involving State Treasures from the Diamond Fund of Russia, the recorded OptoClonesTM exhibited inside the Moscow Kremlin were highly appraised by officials and international experts as well as the general public allowing reasonable optimism for the prospects of Display Holography for museums.

Highlights

  • The Hellenic Institute of Holography (HiH) was established in Athens, Greece, in 1987 with the purpose of introducing and promoting holography in Greece in all possible areas: science, art, media and authentication

  • In this framework during the period of January 1995 till the end of April 1996 HiH participated in the project “Holography applied to protection, preservation and non-destructive evaluation of cultural heritage” funded by EU IC-INTAS program

  • The potential of display holography for museum applications was examined in depth by researchers in the field for more than 30 years ago [11] but the wide use of holograms in museums never really happened

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Summary

Introduction

Classical Ancient Greece to Orthodox Byzantium Christianity, the use of display holography in the preservation, recording and public visual dissemination of artifact items for cultural heritage has been at the core and forefront of the activities of the HiH. In this framework during the period of January 1995 till the end of April 1996 HiH participated in the project “Holography applied to protection, preservation and non-destructive evaluation of cultural heritage” funded by EU IC-INTAS program. The success of Phase III was sealed by two Int’l Association of Hologram Manufacturers (IHMA) awards in 2015 and 2017

OptoClones Technical Considerations
The HoLoFosTM RGB Color Hologram Illuminant
HoLoFoS
Recording OptoClonesTM Inside Museums
Part B
Left: Left
Display stands stands with with OptoClones
Optoclones
Wigström
10. Photos of the recorded
November
12. Photos of the recorded
13. Specular
Conclusions
Full Text
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