Abstract
AbstractThis paper reflects deeply on possibilities for developing solidarity with Kashmiri freedom struggles by mobilising a memorialisation praxis informed by poetics. We coin the term “colonialism otherwise” to describe the particular instruments and effects of postcolonial colonialism as they appear in the intimate space of family narratives, memories, and feelings. Foregrounding the works of the Kashmiri poet, essayist, and filmmaker, Uzma Falak, we write our memorialisations to respond to the poet's demands to bear witness to Kashmiri people's abjection. Our memorialisation praxis is guided by the questions: how do we know Kashmir as a place, and relatedly, what are the political limitations of our articulated solidarity with the anti‐colonial struggle for azaadi?
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