Colonial statues in post-colonial Africa: a multidimensional heritage

Abstract

ABSTRACT This paper employs the concept of multidimensional heritage to examine colonial statues in Africa since the era of independences through transnational, diachronic, and multi-thematical perspectives. Colonial statues are viewed as transnational phenomena, with a focus on the African continent, emphasising the complex and evolving connections to former colonial powers in Europe. To capture the complexity of heritage uses, which is often best comprehended over an extended period, a diachronic approach is employed, and three periods are considered: colonial statues at independence (1950s to 1980); revival of (neo)colonial statues (1990s-2000s) and renewed contestations (since the 2010s). The paper also delves into various ways in which the past is used and interpreted through colonial statues, discussing aspects such as public memory, identities, diplomacy, aid, and justice.