Abstract

AbstractThis article examines struggles related to the recasting of the collective memory connected to Danish colonialism, through analyses of exhibitions in, and communication from, the Danish National Museum. By use of multimodal and semiotic landscape analysis, we show how the Danish National Museum works to reformulate the historical relationship between Greenland and Denmark in ways that avoid the colonizer's language and at the same time describe and construct complex relations of past and present. The analysis demonstrates how a temporal ambiguity is present in the museum exhibitions, not offering a conclusive understanding of the colonial period. At the same time, we show how the presence and absence of colonial language in public space is inscribed into temporal frames legitimizing or problematizing their status. (Semiotic landscape, colonialism, language and nation, temporality)*

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call