Abstract
AbstractThis article analyses the structure and results of a report published in April 2022 by the Danish Ministry of Culture on the feasibility of “shedding light on the possibilities of strengthening museum communication of Denmark's colonial history.” This article seeks to expose the underlying assumptions accompanying the term “colonial history” in the report. It suggests that “decolonization” and “decoloniality” would be more appropriate frameworks for museum development, as evidenced by current scholarship as well as curatorial trends elsewhere in Europe. Ultimately, it imagines how differently a report focusing on how Danish museums might embrace the process of decoloniality would look.
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