Colombian Criminals, Moral Whites: Reproducing and Resonating Hierarchy in U.S. Film

Abstract

In this project, we analyze the representations of Colombian and white characters in U.S. feature films. As a pervasive form of storytelling, films serve an elemental source of analysis for their role in reproducing social realities and resonating with public consciousness. Here, the specific focus upon the representation of race, racial hierarchy, gender, and nationalism produced nuanced observations that expand on sociological understandings of racism in film. Past research on representations of race in media has shown the use of binary oppositions in making difference. We find the use of binary opposition via persistent themes of criminalization of Colombia and Colombian characters alongside the prevalence of white male heroes and white morality. The importance of these cultural representations is placed within the social and political contexts of U.S.–Colombia relations and racial transitions within the United States.