Abstract
This article outlines the conceptual foundation of India’s free speech regime by focusing on the debates of the Constituent Assembly (1946–1949), and traces the development of the Article 19 of the constitution, which guarantees all citizens the right to free speech and expression, albeit certain ‘reasonable restrictions’. While offering a synoptic account of the conservative side of its development—as framers negotiated the discrepancies between their imagined ideal and the existing, often-conflicting reality—the idea here is not to uncover some grand master plan of Indian democracy from which it has faltered, but to explore ways in which it might lend a fissure to violent outbursts of ‘hurt sentiments’ in contemporary India, which impinges upon the idea and enjoyment of free speech in general, and freedom of artists in particular.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
