Abstract
In recent years, the traditional use of digital collections as surrogates for the physical has shifted to a paradigm of viewing collections as data suitable for computational use and novel research methods. The burgeoning collections as data movement is gaining momentum among galleries, libraries, archives, and museums (GLAM) worldwide. Strategic initiatives, experimentation, innovation, and inspirational learning are occurring as digital libraries and digital humanities progress and work to develop sustainable approaches for collections as data programs. What is the position of collections as data in an ever-changing information landscape of open access, linked data, and shared data of cultural heritage collections? What has the past decade brought to the field?
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