Collecting Chinese Flora: Eighteenth- to Nineteenth-Century Sino-British Scientific and Cultural Exchanges as Seen through British Collections of China Trade Botanical Paintings

Abstract

Abstract In the eighteenth to nineteenth century, British botanists collected thousands of Chinese plants to advance their knowledge of natural history. John Bradby Blake was the first British botanist to systematically collect Chinese plants in the 1770s, a time when foreigners could only access Guangzhou (Canton). This article demonstrates that Blake’s Chinese flora project heavily relied on the work of Chinese ‘go-betweens’, notably painter Mak Sau, who painted Chinese plants in a scientifically accurate manner. The genre of Canton Trade botanical paintings is a hybrid between European botanical tradition and Chinese bird-and-flower paintings that had previously been difficult to analyse owing to the lack of chronological evidence. Thanks to new data uncovered in different Blake collections, this article begins to untangle the chronology of these botanical paintings, and in the process uncovers the untold agency of Chinese ‘go-betweens’ in early Sino-Western scientific and cultural exchanges.