Abstract

During Louis XIV’s reign, royal medals were fabricated in a workshop called the Monnaie des Médailles, situated at the heart of artisanal production at the Louvre. Medals were produced by a series of men appointed by the king, but the Monnaie des Médailles achieved administrative perfection under master goldsmith Nicholas Delaunay, who transformed the workshop into a space of performative display, where the king’s most important visitors could marvel at the quality of medalmaking equipment and witness the process of medal striking. Although scholars of medals tend to attribute specific medals to individual artists, struck medals do not correspond to contemporary ideas about the work of art’s authorship. Here, we reconstruct six stages of making – design, modelling, production of punches, dies and flans, followed by striking – to elucidate the artisanal process and place these objects back into the hands of their producers.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.