Abstract

When Coleridge wrote Aids to Reflection (1825), he believed print culture was perilously dominated by empirical and utilitarian forms of rationality and manipulative appeals to a rational reading public. By guiding future educators and authors to discover within themselves an indwelling divine Reason (Logos), Coleridge hoped to promote a reformed print network through which the nation would recognize itself as a spiritual republic of letters. To this end, Coleridge addressed young readers of Aids as if he were personally leading them into self-reflection within the classroom of his text. If Coleridge asked readers to confuse print with presence, he used this delusion to undermine a fiction he considered more dangerous – a purely mechanical universe. The new dynamic spirit in science, Coleridge claimed, demonstrated that the book a reader held depended on a level of reality at which his or her deeper self was sustained by the Logos. I argue that one graduate from the virtual academy of Aids, F. D. Maurice, surprisingly extended Coleridge's views, and in a direction Coleridge would never have approved: read self-reflectively, Maurice asserted, even a page of advertisements became a virtual portal into the nation's spiritual community.

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