Abstract

In one, the incidents and agents were to be, in part at least, supernatural; and the excellence arrived at was to consist in the interesting of the affections by the dramatic truth of such emotions, as would naturally accompany such situations supposing them real. And real in this sense they have been to every human being, who, from whatever source of delusion, has at any time believed himself under supernatural agency. For the second class, subjects were to be chosen from ordinary life, the characters and incidents were to be such as will be found in every village and its vicinity, where there is a meditative and feeling mind to seek after them, or notice them. It was agreed—that my endeavours should be directed to persons and characters supernatural or at least romantic: yet so to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment that constitutes poetic faith. Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom and directing it to the loveliness and wonders of the world before us.

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