Abstract
The new contributions this article makes arise, firstly, from the nature of its approach. The author does not restrict its scope to the collatio between a specific work by Cicero and another by Horace, as was customary, but reveals some aesthetic coincidences not appreciated to date. Secondly, the author, using as a base the aforesaid coincidences between Cicero and Horace. offers not only new interpretations on Horace’s defined aesthetic criteria, but also an acknowledgement of some Horacian literary principles, which have not been previously thoroughly explained or even questioned by modern scholars.
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