Abstract

Modern lyrics in the unfolding of the main names are many-sided and diverse. The main guidelines of this literary form are aimed at aesthetically overcoming the dialogue with the indisputable classics, however, a number of authors create an oppositional version, form a new, alternative view of reality. The lyrics of Igor Guberman, Vladimir Stepanov, Igor Irtenyev, Olga Sedakova, Denis Osokin, Vera Pavlova, Dmitry Bykov look original, in their own way, in the mode of transformation of meanings. The lyrical narrative of these authors becomes the sphere of reduplications. In addition to the meaning, which tends to the transcendent canvas, there is also an internal highway, focused on a more subtle manifestation of the author's position. Contrasting from the presented series of poets is the name of Dmitry Bykov, who raises acute social issues, oppositional puts the extremes of the present. The methodology of text analysis in this work correlates with the principles of empirical evaluation, receptive aesthetics. Released in 2021, Dmitry Bykov's collection Draw. 20:20 becomes the literary base of the article. It seems that D. Bykov creates a kind of coherent experiment in this collection, because most of the forms are response to modern events, an oppositional word, supposed dialogue / contact, created conceivable perspective, spiritual rebirth, real story. It seems that the formal component of Dmitry Bykov's lyrics does not obscure the semantic parallelism. On the contrary, the poet's voice sounds indifferent, passionate, holistic, convergent. The material can be useful in the study of the literary process of the early twentieth century, the latest poetry, the work of Dmitry Bykov. The objective component of the work is aimed at determining a number of aesthetic, ideological, literary preferences of the specified author. Thus, the article is an attempt to verify the artistic markers of modernity, to combine them with the unchanging sphere of classical lyrics.

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