Abstract
This article analyses the cognitive-discursive sides of film discourse and its importance in modern linguistics. Cinematography is one of the most effective forms of public communication. This singular cultural phenomena is distinguished by its quick emergence, widespread appeal, and global viewership. Cinematographers utilize a new language in which numerous expressive means have become intimately entwined after synthesizing the works of literature, painting, music, theater, and photography. The purpose of this study is to make a brief review of how researchers attempt to analyse the cognitive –discursive nature of film discourse and an overall description of the cognitive characteristics of film discourse will help to understand why films are such a powerful tool of media communication.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
