Abstract

Daily worship in Hindu temples is characterized by regular repetition. This article juxtaposes iconography and mythology; field data on worship in a Murukan temple in Kalugumalai, South India; and analytic concepts from western and Indian metaphysics, to examine what Gell termed the ‘ritual manipulation of time’. In Hindu cosmology, the materialization of divinity – a prerequisite for worship – is inseparably linked not only to the emergence of time but also to the devolution of divinity into gendered forms. Because gender differences play a central role in iconography, mythology and worship, Hinduism provides a rich cultural resource for debating the morality and practice of human kinship, sexuality and procreation. Not only are there significant homologies between human and divine kinship behaviour, but human marriage patterns in South India display the same blend of repetitive yet changing oscillation as do daily and annual temple liturgies.

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