Abstract
ABSTRACT: This article analyzes the critical, poetic and cinematographic work of Nicolás Prividera with the aim of thinking about the ways in which the memory of the dictatorship is staged by a representative of "second generation" cinema. Three notions are investigated here: that of the body in relation to the cinema of the children of the disappeared in M (2007), that of the monumentalization of memory in some texts of Restos de Restos (2012) and the question of the representation of history, its relation to political discourses, and violence in Argentine history in Tierra de los Padres (2013).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.