Close Encounters of the Architectural Kind

Abstract

An interest in architecture and in public spaces quite naturally led us to art collecting and, eventually, to collecting large-scale monumental sculpture. But Texas is a big state, and nothing seemed quite monumental enough until we discovered that group of works long neglected by the world's great collectors. It was then that we began to acquire, on sight/site, our first real monuments—architectural and environmental works scaled to the world-scape rather than to a local landscape.