Clone Lives

Abstract

Abstract Chapter 4 focuses on fiction which responds to the prospect of human cloning following the birth of Dolly the sheep. Eva Hoffman’s novel The Secret deploys the trope of the clone to figure the sense of inauthenticity experienced by many second-generation Holocaust survivors and goes on to examine cloning’s potential to dislodge sexual reproduction as the cornerstone of the social order. Drawing on the work of Catherine Malabou, the chapter follows Hoffman’s representation of the clone as a figure portending the disruption of genealogy. Kazuo Ishiguro’s Never Let Me Go is read in the light of Giorgio Agamben’s theorization of ‘bare life’ and ‘states of exception’ and the novel’s clones are seen to represent those who are relegated to the category of bare life in contemporary global biopolitics, notably refugees and asylum seekers. The clones are also linked with Agamben’s understanding of the enigmatic relationship between the human and the animal and his concept of indifference and emphasis on a subjectivity which precedes the construction of identity and difference.